![]() ![]() And clicking above 30 Hz produces a bell filter. If you want a low shelf instead, double click somewhere between 20 and 30 Hz. So if you want to create a quick low cut, simply double click somewhere below 20 Hz in the EQ display and a low cut filter is created and activated. Different kinds of filters are created depending on which part of the plugin display you click on. One example of this is how they’ve provided an interesting way of creating new EQ nodes. Tons of of work and thought has clearly been put in on making the Pro Q 2 as easy and intuitive to use as possible. ![]() It’s all carefully considered and the user experience is balanced and uncluttered. Simply packing in the features is clearly not enough for the people at FabFilter though. ![]() The FabFilter Pro Q 2 is a very smart plugin in so many ways. I’ve been eyeing the first version of Pro Q for a long time actually, and now that the Pro Q 2 came out with tons of new features, I finally decided to go for it. So I’ve been wanting a solid EQ plugin that fills this void once and for all and works on all DAW’s that I use. Pro Tools then again has nothing like that – I’ve been using the Waves H-EQ which isn’t bad but the interface feels a bit clunky/slow to me. The channel EQ in Logic 9 (I still haven’t upgraded to Logic X) is ok but not great, and keeps freezing out on me. It’s a good EQ but I can’t use it when I’m working in Logic or Pro Tools. I’ve been using many different plugins for surgical purposes. The one I’ve liked using most so far is the EQ8 in Ableton Live 9. For more surgical precision work then, I prefer an EQ that gives me exact visual feedback of the filter shapes, and preferably a spectrum display as well.My current weapon of choice for that kind of work is the free TDR VOS SlickEQ. For coloring/tone shaping work I prefer to use an EQ with a more classic interface that doesn’t give you too much visual feedback, and by doing that forces you to focus on actually listening properly and make decisions based on what you hear.There are basically two kinds of EQ’s I like to use depending on the situation. It enables you to work faster and makes the whole experience more enjoyable.Īdd to that some groundbreaking, innovative features and you begin to get better and more consistent results too. However if you work on music/audio a lot, there are benefits in finding the tools that are just right for how you want to work. So why spend a good bunch of money on yet another EQ plugin? Inevitably we must start with a question:Īll DAW’s these days come with perfectly fine EQ’s. I am all about sharing information about the stuff I like and use so let’s see what the deal is. I’ve been using it for a few weeks now, and I have to say it’s become one of my favorite plugins ever! However as far as plugins come, at 149€ it may seem a bit costly. I recently bought the brand new FabFilter Pro Q 2 EQ plugin. ![]()
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